Huuhka, Marleena 2018 Vagabond Mimesis – Nomadic Wanderings through Minecraftian Performance Space in SYMBOLON,  theatre studies journal of the University of Arts in Tîrgu-Mureș, Romania.

Huuhka, Marleena 2017 Ei-inhimillinen tekijyys ja esiintyjyys videopeleissä in NÄYTTÄMÖ JA TUTKIMUS 6 eds. Arlander, Annette; Gröndahl, Laura; Kinnunen, Helka-Maria & Silde, Marja. Peer reviewed. (Non-human Agency and Performership in Video Games.) 

Paavolainen, Teemu 2017. “Fabric Philosophy: The ‘Texture’ of Theatricality and Performativity.”Performance Philosophy 2 (2): 172–88. ISSN 2057-7176. https://doi.org/10.21476/PP.2017.2264
http://urn.fi/URN:NBN:fi:uta-201702101118

Paavolainen, Teemu 2016. “Textures of Thought: Theatricality, Performativity, and the Extended/Enactive Debate.” Teoksessa The Cognitive Humanities: Embodied Mind in Literature and Culture, toim. Peter Garratt, 71–92. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-59329-0_5

Paavolainen, Teemu 2016. “Textures of Theatricality: Three Approaches from Canonical Theatre Directors.” Tekijä – teos, esitys ja yhteiskunta. Näyttämö & tutkimus 6, toim. Annette Arlander, Laura Gröndahl ja Marja Silde, 60–85. Helsinki: Teatterintutkimuksen Seura.
https://t.co/TdOpGDXa3T
http://teats.fi/wp-content/uploads/2017/02/TeaTS6_02_Forms-of-authorship.pdf

Huuhka, Marleena 2015 Labyrintti – Näkökulmia peleihin ja esityksiin in ESITYSTUTKIMUS eds. Arlander, Annette; Erkkilä, Helena;Riikonen, Taina & Saarikoski, Helena. Partuuna. With Marjukka Lampo. (Labyrinth – Perspectives on Games and Performances)

Paavolainen, Teemu 2015. “Meaning in the Weaving: Mapping and Texture as Figures of Spatiality and Eventness.”Mapping Theatre: Nordic Theatre Studies 27 (2): 10–21.
http://urn.fi/URN:NBN:fi:uta-201702091109
http://dx.doi.org/10.7146/nts.v27i2.24247
http://ojs.statsbiblioteket.dk/index.php/nts/article/view/24247

Paavolainen, Teemu 2015. “Smart Homes and Living Machines: Views From Performative Architecture.” CARPA4 Proceedings: Colloquium on Artistic Research in Performing Arts, The Non-human and the Inhuman in Performing Arts, toim. Annette Arlander. Helsinki: Taideyliopiston Teatterikorkeakoulu. http://nivel.teak.fi/carpa4/
smart-homes-and-living-machines-views-from-performative-architecture-teemu-paavolainen/

Roihankorpi Riku. (2015). Performing (the Subject of) Exteriority : Virtuality, Mīmēsis, and the Gratuitous ‘One Must’. Teoksessa Causey Matthew, Meehan Emma, O’Dwyer Néill (toim.) The Performing Subject in the Space of Technology : Through the Virtual, Towards the Real. London and New York: Palgrave Macmillan.

Roihankorpi R. (2010). From A Darkness to A Blind Spot: Encounters between Theatre, Modern Continental Ethics of Responsibility and the Concept of Evil. Saarbrücken: LAP LAMBERT Academic Publishing.

Paavolainen, Teemu 2012 Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold. Cognitive Studies in Literature and Performance. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/9781137277923